Lupe Fiasco - Airplanes Feat. Hayley Williams

Wow, I cannot explain my excitement in listening to this track. I’ve been waiting to hear it ever since Lupe said in interviews that he’d made a version of this track. Previously, Lupe has also had versions of both “Nothin’ On You” and “Stereo Sun” leak as well, songs that were respectively given to B.o.B and Tinchy Stryder. I’m glad he passed up on “Nothin’ On You” since it didn’t really fit his style, but he definitely did a much better job on “Stereo Sun” than Tinchy did.
“Airplanes” now is actually a hard one to judge though. As the story goes:
I was actually working on a session in Chung King [Studios], and [Atlantic Records chairman] Craig Kallman called me during that session with that particular track, to work on it for Lupe Fiasco,” Jonsin told MTV News. “I told Craig, ‘I like the song a lot. It’s a smash and could be somebody’s single. But it’s not Lupe’s record. I need this record for B.o.B. Please give this record to B.o.B.’ I guess they went through whoever they went through, convinced whoever they needed to, and it got to B.o.B
Now if you listen to both versions, you can definitely tell Lupe’s lyrics have much deeper meaning to them, but I can see why B.o.B’s version would be more popular. I can’t say Lupe’s version wouldn’t have been successful either though, because that’s just playing into a whole what-if scenario that I probably have too much bias towards. It’s just interesting how things played out, especially considering that so much of B.o.B’s success has come from that record. It’s also interesting that B.o.B was able to release two versions, one with Eminem. Just imagine hearing those three versions all blended together. They should have just done that from the beginning.
UPDATE:
Lupe recently spoke to XXL regarding his feelings about “Nothin’ On You” and “Airplanes.” What he says actually makes a lot of sense.
Would “Airplanes” and “Nothin’ On You?” have been just as huge if they were your songs?
No.
Why?
B.O.B. made those records. He took those records where they needed to go. To say, if it was my records would they be different. For what? There is no way to know. When it first happened, it was me and Bob did the second verse. It was supposed to be me and Bob. Bob’s verse was what they wanted, it was like, ‘Why don’t you do that?’ I’m like, ‘Why don’t you give it to Bob.’ I remember Lyor was like, ‘Why did you let that record go?’ I’m like, ‘It’s the same money. It’s the same money I’m not going to get. It’s the same money you’re going to get. And you broke an artist, as what you should be doing. The way you did?’ Eh, I can’t really rock with those records because of the way they did the business. For me, it’s like, Who knows if it would be as big with me on it. Probably not. I’m already branded in a certain way. You got the people who fuck with Lupe and people who don’t fuck with Lupe. You have a whole industry that don’t fuck with Lupe. Some are malicious but they haven’t been acquainted with me and they’ve seem me do other things so they put me over here. It’s like, I’m not Nelly, I’m dead prez. The people who rock with Nelly aren’t as quick to rock with dead prez. But if it’s someone new, they are open to the forces of the market. With me, there are certain records that I would do that the radio stations wouldn’t play because it’s Lupe. It instantly starts to be, ‘Well, is it going to be weird?’ But then you get Bob and it’s like, ‘Who is this B.O.B. dude?’
Link to the full article here
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(Source: pigeonsandplanes.com)